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Greta Garbo

Greta Garbo (18 September 1905 – 15 April 1990) was a Swedish-American actress during Hollywood's silent film period and part of its Golden Age.

Regarded as one of the greatest and most inscrutable movie stars ever produced by Metro-Goldwyn-Mayer and the Hollywood studio system, Garbo received a 1954 Honorary Oscar "for her unforgettable screen performances"[1] and in 1999 was ranked as the fifth greatest female star of all time by the American Film Institute.[2]

Contents [hide]

1 Early life

2 Becoming an actress

3 Life in Hollywood

4 Later career

5 Private life

6 Secluded retirement

7 Filmography

8 Notes

9 Further reading

10 External links

1 Early life

Garbo was born Greta Lovisa Gustafsson in Stockholm, Sweden, the youngest of three children of Karl Alfred Gustafsson (1871–1920) and Anna Lovisa Johansson (1872–1944).[3] Garbo's older sister and brother were Sven Alfred (1898–1967) and Alva Maria (1903–1926).

2 Becoming an actress

When Garbo was 14 years old, her father, to whom she was extremely close, died. She was forced to leave school and go to work. Her first job was as a soap-lather girl in a barbershop. She stated in the book Garbo On Garbo (p. 33) that her relationship with her mother was not strained.

She then became a clerk at the department store PUB in Stockholm, where she would also model for newspaper advertisements. Her first motion picture aspirations came when she appeared in two short film advertisements (the first for the department store where she worked). They were eventually seen by comedy director Erik Arthur Petschler and he gave her a part in his upcoming film Peter the Tramp (1922).

From 1922 to 1924, Garbo studied at the prestigious Royal Dramatic Theatre in Stockholm. While there, she met director Mauritz Stiller. He trained her in cinema acting technique, gave her the stage name "Greta Garbo", and cast her in a major role in the silent film G?sta Berlings Saga (English: The Story of G?sta Berling) in 1924, a dramatization of the famous novel by Nobel Prize winner Selma Lagerl?f. She starred in G?sta Berling opposite Swedish film actor Lars Hanson, then appeared in the German film Die Freudlose Gasse (The Street Of Sorrow, 1925), directed by G. W. Pabst and co-starring Asta Nielsen.

She and Stiller were brought to Metro-Goldwyn-Mayer by Louis B. Mayer when G?sta Berlings Saga caught his attention. On viewing the film during a visit to Berlin, Mayer was impressed with Stiller's direction, but was much more taken with Garbo's acting and screen presence. According to Mayer's daughter, Irene Mayer Selznick, with whom he screened the film, it was the gentle feeling and expression that emanated from her eyes which so impressed her father.

Unfortunately, her relationship with Stiller came to an end as her fame grew and he struggled in the studio system. He was fired by MGM and returned to Sweden in 1928, where he died soon after. Garbo was also close friends with Einar Hanson, a Swedish actor who worked with her and Pabst on The Street Of Sorrow, and then came to Hollywood to work at MGM and Paramount Pictures. Einar Hanson was killed in an auto accident in 1927, after leaving a dinner with Garbo and Stiller. Garbo's sister Alva died of cancer in 1926 at the age of 23 after appearing in one feature film in Sweden, adding to the melancholy Garbo felt at being in Hollywood. MGM refused to allow Garbo to return to Sweden for her sister's funeral, and Garbo was only able to return to Sweden for a visit in 1928.

3 Life in Hollywood

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Greta Garbo in 1932The most important of Garbo's silent movies were The Temptress (1926), Flesh and the Devil (1926), and Love (1927). She starred in the latter two with the popular leading man John Gilbert. Her name was linked with his in a much publicized romance, and she was said to have left him standing at the altar in 1926, when she changed her mind about getting married. [4]

Having achieved enormous success as a silent movie star, she was one of the few actors who made the transition to talkies, though she delayed the shift for as long as possible. Her film The Kiss (1929) was the last film MGM made without dialogue (it used a soundtrack with music and sound effects only).

Her voice was first heard on screen in Eugene O'Neill's Anna Christie (1930), which was publicized with the slogan "Garbo Talks". The movie was a huge success. In 1931 Garbo made a German version of the movie.

Garbo appeared as the World War I spy Mata Hari (1931). She was next part of an all-star cast in Grand Hotel (1932) in which she played a Russian ballerina.

She then had a contract dispute with MGM. She signed a new contract in July 1932, departing for Sweden later the same month. She exercised her new control by having her leading man in Queen Christina (1933), Laurence Olivier, replaced with Gilbert. In 1935, David O. Selznick wanted her cast as the dying heiress in Dark Victory, but she insisted on doing Tolstoy's Anna Karenina. Bette Davis would eventually play the Judith Trahenre role in Dark Victory and score her third Oscar nomination.

Her role as the doomed courtesan in Camille (1936), directed by George Cukor, would be regarded by Garbo as her finest acting performance. She then starred opposite Melvyn Douglas in Ninotchka (1939), directed by Ernst Lubitsch.

Garbo was nominated for an Academy Award for Anna Christie (1930), Romance (1930), Camille (1937) and Ninotchka (1939).

Garbo received praise from many fellow actors:

Her instinct, her mastery over the machine, was pure witchcraft. I cannot analyse this woman's acting. I only know that no one else so effectively worked in front of a camera. —Bette Davis

During Garbo's Hollywood career, she was caricatured in the Warner Bros. cartoons Porky's Road Race, Speaking of the Weather (both directed by Frank Tashlin) and Hollywood Steps Out (directed by Tex Avery).

4 Later career

Ninotchka was a successful attempt at lightening Garbo's image and making her less exotic, by the insertion of a scene in a restaurant in which her character breaks into uninhibited laughter which provided the film with its famous tagline, "Garbo laughs!". The follow-up film, Two-Faced Woman (1941), attempted to capitalize by casting Garbo in a romantic comedy, where she played a double role that featured her dancing, and tried to make her into "an ordinary girl". The film, directed by George Cukor, was a critical (though not a commercial) failure. It was Garbo's last official screen appearance.

It is often reported that Garbo chose to retire from cinema after this film's failure, but already by 1935 she was becoming more choosy about her roles, and eventually years passed without her agreeing to do another film. By her own admission, Garbo felt that after World War II the world changed, perhaps forever.

In 1941, MGM costume-designer Adrian also left the studio, later saying:

"It was because of Garbo that I left MGM. In her last picture they wanted to make her a sweater girl, a real American type. I said, 'When the glamour ends for Garbo, it also ends for me. She has created a type. If you destroy that illusion, you destroy her.' When Garbo walked out of the studio, glamour went with her, and so did I."[citation needed]

In 1949, Garbo filmed several screen tests as she considered reentering the movie business to shoot La Duchesse de Langeais directed by Walter Wanger; otherwise she never stepped in front of a movie camera again. The plans for this film collapsed when financing failed to materialize, and these tests were lost for 40 years, before resurfacing in someone's garage.[5] They were included in the 2005 TCM documentary Garbo,[6] and show her still radiant at age 43.[7] There were suggestions that she might appear as the "Duchess de Guermantes" in a film adaptation of Marcel Proust's In Search of Lost Time but this never came to fruition. She was offered many roles over the years, but always turned them down.

Her last interview was probably with the celebrated entertainment writer Paul Callan of the London Daily Mail during the Cannes Film Festival. Meeting at the Hotel du Cap Eden Roc, Callan began "I wonder . . ", before Garbo cut in with "Why wonder?", and stalked off, making it one of the shortest interviews ever published.

She gradually withdrew from the entertainment world and moved to a secluded life in New York City, refusing to make any public appearances. Up until her death, Garbo sightings were considered sport for paparazzi photographers. In 1974, pornographic filmmaker Peter De Rome tracked Garbo across New York and shot unauthorized footage of her for inclusion in his X-rated feature Adam & Yves.[8]

Despite these attempts to flee from fame, she was nevertheless voted Best Silent Actress of the Century (her compatriot Ingrid Bergman winning the Best Sound Actress) in 1950, and was also designated as the most beautiful woman who ever lived by the Guinness Book of World Records.[9][10][11][12]

5 Private life

Garbo was considered one of the most glamorous movie stars of the 1920s and 1930s. She was also famous for shunning publicity, which became part of her mystique. Except at the very beginning of her career, she granted no interviews, signed no autographs, attended no premieres, and answered no fan mail.

Her famous byline was always said to be, "I want to be alone," spoken with a heavy accent which made the word "want" sound like "vont." This quote as noted comes from her role in Grand Hotel. However, Garbo later commented, "I never said, 'I want to be alone.' I only said, 'I want to be let alone.' There is all the difference." This byline was referenced in the movie Death Becomes Her, where it was used in a comedic way, implying that Garbo had taken the eternally young potion used in the movie plot.

Garbo kept her private affairs out of the public domain. According to private letters released in Sweden in 2005 to mark the centenary of her birth, she was reclusive in part because she was "self-obsessed, depressive, and ashamed of her latrine-cleaner father."[13]

Her most famous sexual relationship — but not her only such relationship — was with actor John Gilbert. They starred together for the first time in the classic Flesh and the Devil in 1926. Their on-screen "erotic intensity"[14] soon translated into an off-camera romance, and by the end of production Garbo had moved in with Gilbert. Gilbert is said to have proposed to Garbo at least three times.[15] She reportedly wanted to quit films if they married, but Gilbert wanted her to continue her career. When a marriage was finally arranged in 1926, she failed to show up at the ceremony.[16] After their affair ended, Garbo showed great loyalty to Gilbert after his career collapsed with the coming of sound films, and insisted that he appear with her in 1933's Queen Christina despite the objection of MGM studio head Louis B. Mayer.

The 1995 biography Garbo by Barry Paris relates Garbo's relationships - which were often just close friendships - with actor George Brent, conductor Leopold Stokowski, nutritionist (and gay man) Gayelord Hauser, and her manager George Schlee, husband of designer Valentina.

In 1931, Garbo met and quickly befriended Mercedes de Acosta. The two were introduced to one another by de Acosta's close friend, author Salka Viertel, who was also very close to Garbo and wrote the screenplay for several of Garbo's films. Her relationship with Garbo has often been described as "the love of her lifetime". From all information from the time, it is unlikely that Garbo shared those feelings. Garbo was in control of the friendship, which was close for about a year from 1931 to 1932.

But thereafter, theirs was a vacillating relationship, with Garbo even ignoring de Acosta -everything was at the will of Garbo. Estranged by 1937, in 1944, Garbo insisted de Acosta stop sending her poems and letters professing her love. The last known poem of hers for Garbo was written that same year. Their relationship finally ended when De Acosta wrote about her lesbian affairs in the autobiography Here Lies the Heart (1960).

6 Secluded retirement

Gravestone of Greta GarboGarbo felt her movies had their proper place in history and would gain in value. On 9 February 1951, she became a naturalized citizen of the United States. In 1954 she was awarded a special Academy Award.

In 1953, she bought a seven-room apartment in New York City at 450 East 52nd Street, where she lived for the rest of her life.

She would at times jet-set with some of the world's best known personalities such as Aristotle onassis and Cecil Beaton, but chose to live a private life. She was known for taking long walks through the New York streets dressed casually and wearing large sunglasses, always avoiding prying eyes, the paparazzi, and media attention. Garbo did, however, receive one last flurry of publicity when nude photos, taken with a long-range lens, were published in People in 1976. Trim and relaxed, she was enjoying a swim.

Garbo lived the last years of her life in absolute seclusion. She had invested very wisely, particularly in commercial property along Rodeo Drive in Beverly Hills, was known for extreme frugality, and was very wealthy.

She died in New York Hospital on 15 April 1990, aged 84, as a result of pneumonia and renal failure, which had shut down her stomach and kidneys. She had previously been operated on and treated for breast cancer, which required a partial mastectomy, from which she recovered.[citation needed]

She was cremated and her ashes were finally interred after a long legal battle at the Skogskyrkog?rden Cemetery in her native Stockholm. She left her entire estate, estimated at $20,000,000 USD to her niece, Gray Reisfield of New Jersey.

For her contributions to cinema, she has a star on the Hollywood Walk of Fame at 6901 Hollywood Boulevard. In addition, in September 2005, the United States Postal Service and Swedish Posten jointly issued two commemorative stamps bearing her likeness.[17][18]

摘自英文百科，因为原文网址被过滤，无法显示出来。

moe人名翻译

安东尼·安德森

照片

中文名： 安东尼·安德森

英文名： Anthony Anderson

性 别： 男

生 日： 1970-08-15

职 业：演员

演出：

变形金刚 Transformers (2007)

无间道风云 The Departed （2006）

川流不息 Hustle & Flow (2005)

国王的赎金 King's Ransom (2005)

三个奶爸三个娃 My Baby's Daddy (2004)

少年特工科迪2 Agent Cody Banks 2: Destination London (2004)

惊声尖笑3 Scary Movie 3 (2003)

抢钱袋鼠 Kangaroo Jack (2003)

马里布绑票案 Malibu's Most Wanted (2003)

致命摇篮 Cradle 2 the Grave (2003)

理发店 Barbershop (2002)

龙潭虎穴Cradle 2 the Grave（2002）

天国 Kingdom Come (2001)

二人游戏 Two Can Play That Game (2001)

天翻地覆 See Spot Run (2001)

绝命出路 Exit Wounds (2001)

一个头两个大 Me, Myself & Irene (2000)

绝地奶霸 Big Momma's House (2000)

傲笑江湖 Life (1999)

致命罗密欧(Romeo Must Die) 2000

好像美国有一个专门翻唱中文歌的乐队，请问下叫什么名字

moe人名翻译介绍如下：

moe翻译人名是：莫、莫伊、摩、茉。

Moe是一个男孩的英文名字，意思是“交付”，历史出自英语，Moe是一个个性的英文名字，这个名字给人的第一印象是阳光、执着、头脑灵活，喜欢尝试新事物。

简单英文名字

（Vic）维克：

“Vic”的意思是“胜利者，征服者”，提取作为男孩英文名，寓意孩子吉祥、幸福之义。此外，也展现出男性气概特点，意指聪明、有能力、有担当。

bob鲍勃：

bob发音既简单又好听，读起来朗朗上口，且带有“辉煌的”寓意，引申为男孩子事业有成、耀眼、光明，突出男性稳重、阳刚的特点。

dick狄克：

dick中文音译为狄克，带有“强大的、富有的统治者”，引申为领导者、有担当、有能力等寓意内涵，适合男孩子起简单好听的英文名字；

moe单词介绍：

释义：

abbr. 有效性量度。

abbr. 教育部。

例句：

Moe was having fun banging the drums and singing off-key.

莫伊自得其乐地一边打鼓，一边跑调地唱着。

This is Denny Moe, owner of Denny Moe's Superstar Barbershop in Harlem.

这是丹尼·摩，纽约哈莱姆区丹尼·摩超级巨星理发店店主。

Metro是一个国际化得演唱团体，起源于美国，近十年来演出足迹遍布世界各地。成员包括Eric，Kevin，Cody，Sean，他们利用自己过人的才华将世界最流行的歌曲重新进行独特的编排，呈现给听众一种充满活力的，自然清新的音乐。他们的音乐包括流行音乐、doo-wop式的摇滚、经典摇滚、barbershop式音乐、R&B、爵士等。 经过5年的往返于香港日本两地的演出后，Metro决定将演出基地设在香港。他们独特的外向的性格以及和谐的声音使得他们成为了亚洲地区最出色的演唱团体之一，并应邀参加了French Chamber以及其他众多的高水平演出。 此外，Metro也在American Vocal Studio服务，通过教授演唱课程将他们所掌握的音乐知识传授个所有人。 目前已知的翻唱Beyond经典《海阔天空》和 《My Pride 我的骄傲》。

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